Art Historian - Research
GRAEME CAMERONArtists researched & lost works rediscovered/restituted
Leonardo da Vinci-Michelangelo Buonarroti-Giorgioni-Raphael Sanzio-Sandro Botticelli-Palma Vecchio-Tintoretto-A del Sarto
Parmigianino-Hans Holbein the Elder-Hans Holbein the Younger-Albrecht Durer-Guercino-G Reni-G.B.Foggini-Girolamo Carracci
Giovanna Garzoni-Artemesia Gentileschi-Mary Beale-Carlo Dolci-Johannes Vermeer-Rembrandt van Rijn-Jan Lievens-M Sweerts
Gerard Dou-Peter Paul Rubens-Anthony van Dyck-Frans Hals-J Both-K Djardin-Van Goyen-G Poussin-P Lely-G Kneller-J M Wright
Joseph Wright-Chardin-JM Nattier-F Boucher-Vigee Lebrun-JB Greuze-G Courbet-F Goya-D Martinez-W Hogarth-Thomas Gainsborough-Joshua Reynolds-JMW Turner-John Constable-Thomas Moran-J E Millais-Dante G Rossetti-ECBurne-Jones-Lord Leighton-Poynter-James Whistler-Claude Monet-Gustave Caillebotte-Edgar Degas-M Cassatt-Vincent van Gogh-Paul Gauguin-Sickert
​
Applied Art Historical, Connoisseurship & Technical Research leading to the rediscovery of lost and misattributed masterpieces by
the greatest masters of Art History; also revealing new knowledge of their unknown working practices and lives, with the
ultimate purpose of restituting their Masterpieces for the benefit of the artist's legacy and posterity.
APOLOGIES This site is still under construction, only this first page has content for scrolling down Other pages to be added soon. Appreciate your understanding.
Thank you for your valued interest.
Twitter Site
x.com/GraemeCameron2
Welcome to the Website and thank you for your visit. The following contents represent dedicated research of art history's masters.
Brief Previews of proof of "Mona Lisa's" actual identity
as being most probably "Caterina" Leonardo's Mother
​
The 500 Year enigma of the actual identity of the Louvre's"Mona Lisa" portrait ,can now be proven to be almost certainly the young "Caterina" Mother of Leonardo and absolutely not "Lisa del Giocondo" (LisaGherardini), because on its original deep subsurface ressearch images show the same lady, but at 60+ years old,
from circa 1493 Milan, which Leonardo later
rejuvenated c.1503 in Florence to the image now on the surface. "Lisa" was only 23 years old in Florence in c.1503 which that lady isn't. This was originally clearly an older woman, proving it was never was the young Lisa del Giocondo. Leonardo's "Mona Lisa" portrait
was another painting of the 23 year old "Lisa", which has been lost. Latest research further confirmed that the other claimed "Young Mona Lisa" also has that same 60+ Older Lady on its original Sub surface, providing a second definitive verification that this particular Lady was never the 23 year old "Lisa del Giocondo""
Background Music should start
within 10 in 10 Secs-If not click on Arrow ABOVE and wait a few seconds for music to start.
To reduce Sound Levels just
use the Computer's controls.
​
Some decades past on a research study sojourn of the Museums and Great Houses
of Europe and United Kingdom including the Montmatre precinct for a Sitting.
Subsurface scanning mis-titled "Mona Lisa" in the Louvre and Young Mona Lisa" in a Swiss Collection have the same "Old Woman" on their respective subsurfaces, as evidenced above. That "Old Woman" is almost certainly the 63 Year old "Caterina" Leonardo's
Mother, just before her death, whom Leonardo
painted in Milan c.1493 and later rejuvenated for posterity in her "Prime" in Florence c.1503. His portrait of "Lisa Giocondo" is lost and was never this portrait.
Leonardo's close companion "Salai"made his version
of the same "Old Lady" at the same time as Leonardo
in circa 1493 Milan, his version was also rejuvenated
c.1503 in Florence, but by a better artist than Salai probably Melzi, with oversight/possible assistance
from Leonardo. The presence of this "Old Woman" actually extant today beneath the surface of both
these Paintings is the ultimate evidence that neither work was ever a portrait of the 23 year old "Mona
Lisa", or Lisa Gherardini-Giocondo, but was instead either "Caterina" or an "Unknown Milanese lady".
However due to this Lady's close physiognomic similaries to Leonardo's own face and the fact he closely cherished it and it never left his possession,
on all the new facts and evidence it's more certainly "Caterina" Leonardo's Mother and on Age alone it absolutely cannot be the young "Lisa Giocondo"
In time other's technology will confirm these facts
The two versions corroborate each other.
The style of the original "Old Lady's" portrait on the Subsurface of "The Young Mona Lisa" is almost certainly that of "Salai", who was Leonardo's Milan companion in 1493. Here is another work by him-Note the quite typical Androgenous appearance of his subjects. Compare also the similar Mouths, Eyes and overall modelling of each.
The fact that Leonardo's DNA and physiognomy closely matches that of this Lady in a multitude of respects, including head shape, forehead, hair colouring, many of their matched distinctive facial features, which appear to have dominated over those of his Father, Ser Piero da Vinci, further verify this is actually Leonardo's Mother "Caterina" as confirmed by this significant "Primary Source Biological Evidence" and not her mistaken title as the wife of del Giocondo, the Slave & Silk Trading Merchant from Florence the former Lisa Gherardini -Lisa del Giocondo, whom Leonardo painted Circa 1503, which is lost.
​
Thus the incontavertable definitive evidence which actually exists today on the Subsurface of the mistitled "Portrait of a Lady" in the Louvre, proves that Leonardo first painted this older 65+ Lady, prior to later "rejuvenating" the same Lady to about 35 years of age. Why would he have done this if it was the young 23 year old former "Lisa Gherardini" wife of Giocondo a Florence Merchant and Slave Trader ?
The answer is unequivocal-this portrait was never that of "Lisa del Giocondo" which remains lost, and is almost certainly "Leonardo's Mother Caterina" in her prime. The second version of it by his pupils at the time, "Young Mona Lisa" verifies this by also having that same 65+ "Older Lady" on its Subsurface. QED.
​
"Queen Anne Boleyn's lost Personal Portrait" by Hans Holbein the Younger from final months of her life at the Whitehall Palace, London Bears her Personal "Hybrid Coat of Arms" on Rear Panel Located and Rediscovered by specialist Research
Heading 5
"Queen Elizabeth Ist's Portrait as Princess Elizabeth" by Hans Holbein the Younger of 1542 London. Located and Rediscovered by our specialist Research
"Queen Elizabeth Ist as "Princes Elizabeth" by Hans the Younger from
"Portrait of the Hanseatic Merchant Derich Born" by Hans Holbein the Younger - London 1539- Signed and Dated - Derich Born supplied German Armaments and Cannons to Henry VII but fell out with him and was later expelled from London
Heading 6
Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here...
Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site.